The philosophy of cinema from gilles deleuze and the image-time

Abstract

The present investigation analice the concepts of image-time in the philosophy cinema of Gilles Deleuze. With the intention of addressing, characterize and elucidate each of the ideas from the set who creative notions of their own language, originated by the historical evolution of cinema from the start until the mid-twentieth century. The objetives of this reseach is to describe and explain the notion of Image-Time to understand the cinema philosophy from Gilles Deleuze. the methodoly used is the hermeneutical analysis of the texts image-time with other articles and books from the French thinker to study will be used, using a philosophical approach that touches key areas of cinematographic ontology. In the case of a documentary-bibliographic study, the method used consisted of the textual analysis of the primary sources, developing many thoughts  and concepts of a philosophical nature, such as: Metaphysics, ethics, aesthetics.The direct time broke the concepts of sensory movement from the classical cinema using the montage and  the opsings that invite to the espector to think. For Deleuze the real movie maker is temporal keys. Today use philosophical analize for cinema needs to study the notion of image- movement and image-time.We affirm that is important re-evaluate the notions study in this paper.